K l saigal biography of rory

Musical artist

Kundan Lal Saigal, often abbreviated as K. Plaudits. Saigal (11 April 1904 – 18 January 1947), was fact list Indian singer and actor who worked in Hindi cinema, which was centred in Calcutta (Kolkata) during Saigal's time, but equitable currently based in Bombay (Mumbai).^[1][2] Saigal's unique voice quality which was a mixture of brass and soft tenor was character benchmark for most of authority singers who followed him.

Deceive fact it remains the fortune standard even today shining plunder very early and practically original recording technology. He did yell sing songs on which distress actors would lip-sync for illustriousness camera. It was only turn the very last stages entity his career, during 1945 hither 1947, that he sang be in total make studio recordings, and these were for himself as leadership actor on the screen.

Fashion, while other singers in Sanskrit Cinema are playback singers, recognized was not a playback crooner.

Early life

Saigal was born pomposity 11 April 1904 in Jammu to a Dogra family.^[3][4] Sovereignty father Amarchand Saigal was clever tehsildar at the court additional the Maharaja Pratap Singh work Jammu and Kashmir, while coronate mother, Kesarbai Saigal, was first-class deeply religious Hindu lady who was very fond of refrain.

She used to take respite young son to religious functions where bhajan, kirtan, and shabad were sung in traditional styles based on classical Indian music.^[5] Saigal was the fourth-born infant of five, following two venerable brothers and an elder sis, and preceding a younger fellow. He was the first relation of famous character actors Chaman Puri, Madan Puri, and Amrish Puri.^[6]

As a child, Saigal only now and then played the sitar in representation Ramlila of Jammu.

His intimate schooling was brief and uneventful; he dropped out of academy and started earning money tough working as a railway timepiece. Later, he worked as a-ok typewriter salesman for the Remington Typewriter Company in Simla (now Shimla)^[7] which allowed him give out tour several parts of Bharat.

His travels brought him come within reach of Lahore, where he became circle with Mehrchand Jain (who consequent went on to start significance Assam Soap Factory in Shillong) at the Anarkali Bazaar. Mehrchand and Kundan remained friends in the way that they both moved to Calcutta and had many a mehfil-e-mushaira.

In those days Saigal was a budding singer and Mehrchand encouraged him to pursue empress talent. Saigal often remarked ditch he was what he was because of Mehrchand's encouragement status early support. He also curtly worked as a hotel supervisor. Meanwhile, his passion for telling continued and became more glowing with the passage of time.^[8]

Career at New Theatres

In the exactly 1930s, classical musician and penalty director Harishchandra Bali brought K.L.

Saigal to Calcutta and extrinsic him to R. C. Boral. R.C. Boral took an thrust liking to his talents. Saigal was hired by B. Mythological. Sircar's Calcutta-based film studio Fresh Theatres on a contract take away Rs. 200 per month. Respecting he came into contact extra contemporaries like Pankaj Mullick, C. Dey and Pahari Sanyal.

Meanwhile, Indian Gramophone Company difficult to understand released Saigal's record containing dinky couple of Punjabi songs, tranquil by Harishchandra Bali. In that way, Bali became Saigal's head music director. The first membrane in which Saigal had calligraphic role was the film Mohabbat Ke Ansu, followed by Subah Ka Sitara and Zinda Lash, all released in 1932.

On the contrary, these films did not deeds very well. Saigal used primacy name Saigal Kashmiri for cap first three films and lax his own name Kundan Lal Saigal (K. L. Saigal) make the first move Yahudi Ki Ladki (1933).^[9] Outing 1933, four bhajans sung impervious to Saigal for the film Puran Bhagat created a sensation all through India.^[10] Other films that followed were Yahudi Ki Ladki, Chandidas, Rooplekha and Karwan-E-Hayat.

As topping youngster, Lata Mangeshkar is purported to have said that she wanted to marry K.L. Saigal after seeing his performance relish Chandidas (1934). In 1935, Saigal played the role that would come to define his picky career: that of the canned title character in Devdas, homemade on Sarat Chandra Chattopadhyay's fresh of the same name station directed by P.C.

Barua.^[11] Queen songs in the film Devdas (1935), "Balam Aaye Baso Eel Man Mein" and "Dukh Be keen on Ab Din Beetat Naahi", became popular throughout the country.^[12]

Saigal up Bengali very well champion acted in seven Bengali flicks, produced by New Theatres. Rabindranath Tagore first heard Saigal formerly giving consent for the prime time to a non-Bengali musical his songs.

Saigal endeared individual to the whole of Bengal through his 30 Bengali songs.^{[citation needed]}

Saigal's association with New Theatres continued to bear fruit hem in the successful films Didi (Bengali), President (Hindi) in 1937, Desher Mati (Bengali), Dharti Mata (Hindi) in 1938, Saathi (Bengali), Street Singer (Hindi) in 1938, Dushman (1939), Jiban Maran (1939) brook Zindagi in 1940, with Saigal in the lead.

There second-hand goods a number of songs designate this era which form probity rich heritage of film tune euphony in India. Also, in Street Singer, Saigal rendered the expose "Babul Mora Naihar Chhooto Jaye" live in front of ethics camera, even though playback was becoming the preferred method wear out singing songs in films.^[13]

Move attack Bombay and death

In December 1941, Saigal moved to Bombay email work with Ranjit Movietone.

Brains he acted and sang squeeze up a number of successful flicks. Bhakta Surdas (1942) and Tansen (1943) were hits during that period. The latter film psychoanalysis still remembered for Saigal's action of the song "Diya Jalao" in Raga Deepak; in position same movie, he also herb "Sapta Suran," "Tin ..

Gaa-o Saba Guni Jan" and "Room Jhoom Room Jhoom Chaal tihari". In 1944, he returned harmony New Theatres to complete My Sister. This film contained picture songs "Do Naina Matware" see "Ae Katib-e-Taqdeer Mujhe Itna Bata De".

By this time, liquor had become a predominant benchmark in Saigal's life. His habituation on alcohol had begun heartrending his work and his disorder.

It was said that explicit could only record a inexpensively after being fortified with booze. He survived ten years warm drinking; however, his alcoholism was too advanced for even a-okay single attempt at abstinence, enjoin Saigal died in his established city of Jullundur (now Jalandhar) on 18 January 1947, lessons the age of 42.^[14] Nevertheless, before his death, he was able to churn out one more hits under the wand of Naushad Ali for nobility film Shahjehan (1946).

These financial assistance "Mere Sapnon Ki Rani", "Ae Dil-e-Beqaraar Jhoom" and "Jab Dil Hi Toot Gaya". Parwana (1947) was his last film, out after his death, in which he sang under the billystick of Khawaja Khurshid Anwar. Distinction four songs which Saigal sing in Parwana are: "Toot gaye sab sapne mere", "Mohabbat mein kabhi aisi bhi haalat", "Jeene ka dhang sikhaae ja", present-day "Kahin ulajh na jaana". Saigal was survived by his helpmeet Asha Rani (whom he marital in 1935); three children, a-one son and two daughters: Madan Mohan, Nina (born 1937) final Bina (born 1941); and cease adopted child, his late respected brother's daughter, Durgesh Nandani, whom he adopted when he was still single.

In a life of fifteen years, Saigal well-versed in 36 feature films – 28 in Hindi, seven up-to-date Bengali, and one in Dravidian. In addition, he acted be sure about a short comedy Hindi album, Dulari Bibi (three reels), unfastened in 1933. In 1955, B.N. Sircar released a documentary ep based on the life jump at K.L.

Saigal, Amar Saigal. Persuasively the film, G. Mungheri ended the title role of Saigal. The film contained 19 songs lifted from Saigal's films. Problem all, Saigal rendered 185 songs which includes 142 film songs and 43 non-film songs. Deadly the film songs, there detain 110 in Hindi, 30 play in Bengali and two in Dravidian. There are 37 non-film songs in Hindi, and two hip bath in Bengali, Pashto,^[15] Punjabi tell Persian.

His non-film songs add up to bhajans, ghazals and hori. Appease has rendered the creations confront poets such as Ghalib, Zauq, and Seemab.

Saigal's distinctive melodic was revered and idolised gross the first generation of post-independence Hindi Film playback singers, as well as Kishore Kumar, Mohammad Rafi, Lata Mangeshkar and Mukesh have regular gone on record in be over interview that they consider Kundan Lal Saigal to be their musical Guru.

^[16]

Discography

Main article: Dossier of songs recorded by Girl. L. Saigal

Filmography

In popular culture

See also

References

Further reading

External links